October 6, 2008

The Word: the Sword and the World

“HERO” Part 2

There are movies which, like other artistic masterworks, never fail to overwhelm us and make us temporarily forget this world in order to rediscover it again and again shining with new rainbow. Every time we spend minutes watching these movies, they spread their forms and contents open and wide, offering a new set of glittering diamonds previously hidden within their overlooked foldings. Zhang Yimou’s Hero (2002) belongs to such cinematic masterworks. Its power will leave us almost speechless and we could only take deep breath—and got suspended—while savoring the succession of scenes presented like a string of bewitching visual art gems. Hero offers a stack of spectacular panoramic layers and dreamlike landscapes taken with wide angel shots, irresistibly seducing the spectator not to dissolve into the nature but to absorb the nature fusing into oneself.

Hero is a work of calligraphy where “profundity depends on perception.” It is also a tranquil transparent lake containing blue heaven whose mirror-like surface could be tapped by different palms and swords and echoing different tunes and messages.

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